1
Something Shady
O'Hares Irish Club
Ticket, 1991
A ticket for a Something Shady gig. " No S/M, racist or fascist gear" allowed.

Factions of the political lesbian/separatist community at this time believed that leather trousers had S&M/Nazi connotations. S&M was regarded as oppressive to women by some feminists.
1
Academy 1 (Manchester Academy)
Ticket, 1991
Attitude was a one-off night at the Academy over August Bank Holiday 1991 promoted by Lucy Scher that directly preceded Flesh at the Haçienda.

Paul Cons, who was working for the Haç, went to this night, which led to Lucy and Paul co-promoting another one-off event 'Queer Academy' not long after.

Paul and Lucy then became a team, launching Flesh at the Haçienda just two months later.

HomoCult - a team of radical queer artists based in Hulme - did visuals at this event. Their work reclaimed lots of words such as 'faggot', 'queer', 'dyke'.

This confrontational language had a direct influence on the way Flesh was promoted, and ultimately fed into the pride-based politics of 'Gaychester' - a time of rebirth for the LGBT community in Manchester.
Homocult
Academy 1 (Manchester Academy)
Original Artwork, 1991
Homocult were radical queer art duo based in Hulme.

The provided visuals for Lucy Scher’s pre-Flesh gay house night, 'Attitude', and also the first few Flesh outings.

Their work reclaimed lots of words such as 'faggot’ 'queer’ and 'dyke'.

Although Homocult parted company with Flesh very quickly (describing it as a night for ‘career gays’), their confrontational use of language had a direct influence on the way the night was promoted, which ultimately fed into the pride-based rhetoric of 'Gaychester.’
DJ Michelle
Academy 1 (Manchester Academy)
Flyer, 1991
A series of flyers designed by HomoCult for Attitude at the Academy.

Thanks to Lucy Scher for sending these in.

Attitude was an ahead-of-its time queer club night at the Academy in August 1991, promoted by Lucy Scher, and a pre-cursor the hugely successful Flesh at the Hacienda.

In 1990, Lucy has put together 'The Summer of Lesbian Love', a successful women-only night at the Hac.

Hacienda Entertainments Manager Paul Cons had asked her to do another event the following year, but a gun incident at the Hac led to the night (this time called Attitude and welcoming a mixed crowd) being moved to the Academy.

Attitude was a big success and led to Paul and Lucy's joint venture 'A Bit Ginger' - the promotions company behind Flesh at the Hacienda.

Queer art collective HomoCult did projected visuals at this event that a some people found upsetting!
2
Tim Lennox, DJ Michelle
The Hacienda
Flyer, 1991
DJ Kath McDermott writes:

"The first ever Flesh at The Hacienda. This was hugely anticipated and wildly enjoyed by a much less than capacity crowd. Surprisingly, it was quieter than we had imagined, but all the right people from the North West were there and it was so perfect to see the Hacienda become a gay house club you knew everyone would bring their friends to the next one and indeed they did!

I knew Lucy Scher and she and I had gone to the 'Lesbian Summer Of Love' night that she had promoted at The Hac which was an interesting night (that's another artefact entirely!). She had then put on 'Attitude' at the Academy, which was a large queer event with stunning and cutting-edge visuals by the ahead-of-their-time 'Homocult'.

I had djed for her and Paul Cons at 'Queer Academy' (at Mcr Academy) and was very excited when she told me they were promoting a new gay night at the Hacienda. I never went to 'Gay Mondays' at the Hac, but knew folk that had and it sounded wonderfully adventurous and inspired. But by this point what we all really wanted was to transplant the energy, music and crowd of the 'Number One' into a larger forum where everyone could really let rip. As I was going to the Hacienda and the Number One I could see the potential was huge. DJ Michelle played at the cheap as chips and brilliantly diverse Tuesday indie night at the Number One and warmed up for the ace Tim Lennox on the night.

Such was my enthusiasm that I flyered the night for free for several weeks! One flyer hotspot was the corner of Whitworth Street and Aytoun Street. There we would catch everyone going to Rockies (the biggest gay club in town at the time) from the village (pre-Canal St of course). Ten years later we were taking over Rockies for Homoelectric to escape from what had then become the mainstream on Canal St..."
Tim Lennox, DJ Michelle
The Hacienda
Flyer, 1991
An alternative flyer for the first ever Flesh, just four quid in!
1
Glenn Routledge
Manto
Flyer, 1991
Design: Glenn Routledge

Glenn writes:

Manto - First Birthday flyer 1991 - big, brash and bright orange (original). A new set of cards for the directors too (including the wonderful Carol Ainscow who was a big inspiration to all) x
Design: Glenn
Tim Lennox
Number 1 Club
Flyer, 1992
Ian Bushell writes:

"Number 1 Club Spunk flyer. This was our relaunch for Saturday nights. We wanted to get back to a gayer audience as the atmosphere was getting too edgy so we thought we were really clever with our spunk 'rocket'... and in fact even built an 8ft rocket prop for the middle of the stage."

Kath McDermott writes:

”When I first started going to the Number One it wasn’t that busy, vases of flowers adorned the tables. It was a carpet and chrome joint but the music was new and cool, which meant the crowd was young, and rather excitingly for the time – mixed. Saturday nights became increasingly busy, messy and unmissable. Tim Lennox played every single week to an ever-growing and adoring crowd of reprobates: rent boys, straight girls, queens, scallies, dykes and dealers.

We all congregated in a heaving, sweaty basement to hear a phenomenal blend of house, disco, garage and rave on a heavy quadraphonic system with kick-ass lights in a fog of dry-ice and euphoria. It was hot down there. Us girls would take our baggy t-shirts off and dance all night in our bra-tops. Nobody would mither us or even bat an eyelid. Number One was about top mates, piano breakdowns, hands-in-the-air, bass-lines, sweat, freaky dancing, daft convos on the back stairs, smiles as big as buses, hugs (lots of hugs) and Tim.

Tim was the reason I started DJing and was a huge influence. When I ended up playing alongside him at Flesh at the Hacienda, I got a real kick out of it. There are too many ridiculous stories about the Number One for me to tell!”
1
DJ Paulette
Number 1 Club
Flyer, 1992
Promoter Ian Bushell writes:

"Number 1 Club weekly flyers. We decided to 'colour code' each night but keep the design consistent throughout the week. Very minimal - we wanted to look like a cross between the Pet Shop Boys and The Haçienda. Bless us.

I think someone called Bryn designed them with me hovering over his shoulder.

Paulette went on to become a successful internationally-renowned DJ, specialising in party funk, soul and disco."
2
Dave Kendrick
The Hacienda
Photograph, 1992
DJ Dave Kendrick behind the decks at Flesh. (Haçienda).

Photo supplied by Philippa Jarman.
Something Shady, Claire Mooney
Band On The Wall
Flyer, 1992
Something Shady appear at Band on the Wall with Claire Mooney. NO MEN ALLOWED!
Tim Lennox
Number 1 Club
Flyer, 1992
Flyer for the hugely successful 'Spunk' night, presided over by legendary house DJ Tim Lennox.

Tim also had a radio show on Galaxy around this time. At some point in the nineties he retired from DJing and became a funeral director.

He was coaxed out of retirement for a Number One club reunion at Sound Control in December of 2013.
Kath McDermott, Tim Lennox, Dave Kendrick, DJ Paulette, Jon Shard
The Hacienda
Photograph, 1992
Photo (c) Jon Shard.

Flesh at the Haçienda in full swing:

Nakedness, poppers, angle grinders, performance art, ice cream vans, swimming pools, fun fairs, balloon drops, blow jobs, drag queens, massage tents, podium dancers and the rest.
The Hacienda
Press, 1992
An article from the Manchester Evening News about Rebekah McDonough, a clubber who was refused entry to Flesh at the Haçienda because door staff suspected she wasn't gay.

' "A woman on the door asked me if I could name four famous lesbians," said Rebekah, from Blackley.

"When I couldn't, she asked me where there were four lesbian meeting places in Manchester. When I couldn't answer that either, I was told I couldn't get in, despite the fact that I had paid for my ticket in advance."

Promoter Paul Cons explained, "It does say on the tickets that the management reserve the right to refuse admission to known heterosexuals." '

Flesh was well-known for its strict door policy. Straight people with a group of gay friends could often gain admission easily, but Cons and business partner Lucy Scher (A Bit Ginger) were keen to make sure the night was predominantly gay.

Later Manchester gay clubs, such as Homo Electric of Bollox were more welcoming to 'filthy heteros' or 'don't knows', but arguably it was the proud, celebratory rhetoric of Flesh, 'Gaychester' and Manto on Canal Street that led to Manchester as a whole being a more accepting place for LGBT people, which in turn led to the more laidback, mixed ethos of the early noughties scene.

Rebekah McDonough later confessed to a member of staff at A Bit Ginger that she was, in fact, heterosexual.
1
Cornerhouse
Promotional Item, 1992
Promotional Beer Mat (used) put on the tables in Manto to Advertise the 6th London Lesbian & Gay film festival on Tour (1992)
I think the Cornerhouse cinema was the venue for the Festival.
Kate O'Donnell, Angel Valentine
The Hacienda
Press, 1992
Photos: Paul Jones

An article in M1 magazine about Flesh at the Hacienda. Taken from the Kate O'Donnell archives.
2
Rockies
Flyer, 1992
"Hutch" writes:

Mark Hutchinson was very proud of this flyer as he had approached Sister Sledge at the end of the gig and the 3 sisters and the supporting musicians had all signed it. Posted in memory of Mark who sadly passed away in January 2019.
Follies
Press, 1992
Source: City Life magazine, 1992.

I came across this transphobic 'letter to the editor' in a copy of City Life from 1992. Depressing as it is, I've decided to upload it to MDMA & Queer Noise to illustrate that the toxic arguments currently raging between certain sections of the ' radical feminist community' and trans people are not a new thing.
Kath McDermott, Tim Lennox, Lin Gardiner
The Hacienda
Flyer, 1992
DJ Kath McDermott writes:

"Our very first appearance at Flesh as 'Loose DJs' and we were nervous as hell! Lin and I had been putting on a monthly night in Liverpool called 'Loose' which was starting to do pretty well mainly due to the fact we had a small but brilliant and devoted crowd. Our ethos was very much about playing new house records alongside disco and funk classics and integrating the normally segregated male and female gay scenes.

Paul Cons (Hacienda) and Lucy Scher (Hulme neighbour) who promoted Flesh came over to check out the night and then called to ask if we would guest at Flesh. (I think they thought we could pad out the Liverpool coach and they weren't running too much of a risk putting us on in the Gay Traitor). Of course we bit their hands off, having been Number One and Hacienda regulars and even though Lin was a decent DJ I was most definitely out of my depth!

I remember very clearly how kind the wonderful Tim Lennox was when we thought the decks didn't work in the Gay Traitor. I ran upstairs, made him put on a long tune, got him out of the Hacienda DJ box and dashed downstairs with him. He looked at the decks and calmly released the lever for the arm which wasn't all the way down and ... put the needle on the record...! We were incredibly embarrassed but he was so kind to us, bless.

It was an ace night, we played alright and all our mates went crazy for us. MC Kinky came down for a dance and a chat which we liked because we thought she was officially 101% fit - right?!

Just noticed it was only a fiver - a bargain!"
Green Room, The Hacienda
Press, 1992
Source: City Life, 1992. Words: Jim Peacock.

A piece about two American plays at The Green Room, exploring HIV/AIDS, interestingly, performed by a group called Queer Noise! (Coincidence).

The performances were sponsored by Flesh at The Haçienda.
Tim Lennox, Luke Howard, Princess Julia
The Hacienda
Flyer, 1992
DJ Kath McDermott writes:

"I think the 'love envelopes' mentioned on the rear of this flyer were packs of condoms, lube etc that we put together. Obviously HIV was a growing issue and we always made sure there was an agency at Flesh giving out plenty of condoms and organisations like Body Positive and Act-up were often there to talk to clubbers about HIV-related issues.

Possibly because they were so successful at this particular night, there was always a masseuse on the balcony, which was the business when you were exhausted from dancing and high as a kite.

I like the 'Dress Not Required' strapline, it was not unusual to see completely butt-naked folk at Flesh, some of whom looked more alluring than others!"
Tim Lennox, Luke Howard
The Hacienda
Flyer, 1992
DJ Kath McDermott writes:

"This was a good one, not least because loads of mates were over from Liverpool. I think I was djing with Lin in The Gay Traitor as 'Loose', although we're not on the flyer.

We used to go to G-Love at The Mardi Gras in Liverpool a lot, which was heavy-going as it was normally the night after Flesh. An ace crowd, with quality balearic-tinged house music and put on by 8 Productions who were behind most of the acts appearing at this Flesh.

Jayne Casey was Liverpudlian royalty and Connie Lush was a wild blues singer, all of them knew how to party hard!

Loads of Scousers used to come to Flesh and there was normally a coach on, so it would make sense to get this lot over to perform. Some of the same people went on to create Cream and Garlands in Liverpool.

Mark McNulty took some great photos of the 8 Productions gang and clubbers at this time, his Facebook page is good."
1
The Hacienda
Press, 1992
'What a Gay Night!'...
Newspaper cutting from the Manchester Evening News article about Fles' at the Hacienda. This was the night the Kinky Gerlinky crew brought their unique brand of chaos from London to Manchester.
The Hacienda
Garment, 1992
Mat writes:

One of my favourite nights at the Hacienda. I used to be a huge fan of Pet Shop Boys and when they anounced a gig at the Haç I was really excited. The morning the tickets were released I was in a small queue waiting for Piccadilly Box Office to open, when it was a small kiosk on the corner of Brown Street and Market Street. I was really thrilled to get tickets as Pet Shop Boys were pretty huge at this stage and were generally playing arenas.

The concert was in aid of an Aids charity and Derek Jarman was there, he also introduced the band.

I've still got the ticket and I bought this tee-shirt too, which I used to wear but don't any more. The print reads PSB51 (reference to Hacienda being Fac 51). The small print is the date Wednesday 13th May.