Bernard's Bar (Slingsby's)
Advert, 1981
Advert for Slingsby's (Bernard Slingsby's Apartment) 1981, The Mancunian Gay magazine.

"Manchester's Premier Gay Discotheque".

Free membership to all gay guests until March 1st 1982

Fascinating piece above by Tim Parry on his first weeks at college as a gay student. He mentions the importance of gay helplines - a vital service for many at this time.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this collection by emailing: archiveslocalstudies@manchester.gov.uk

Uploaded as part of Manchester Pride’s OUT! heritage project.
Angie Gold, Bunny Lewis
Hero's
Advert, 1981
Advert, 1981, The Mancunian Gay magazine.

Great Hero's advert from 1981, featuring the wonderful Divine, Lipps Inc (Funky Town) and Manchester cabaret star Angie Gold.

Note: First Aid Will Be Available (!)

Hailing from Manchester, Angie Gold recorded her first singles in Germany in the later 70s before returning to the UK. Her breakthrough came in 1985 on Passion Records with her anthem "Eat You Up" soaring up the Hi-NRG charts everywhere and becoming one of the biggest hits of the year in Japan where her popularity remained high. In Europe and the UK, she was never really able to sustain her success. Her last album was The Best of Angie Gold (1995) which despite its title was rather a set of new recordings, produced by Ian Levine, including a re-recording of "Eat You Up" and Levine's two 80s singles with her.

[Source: rateyourmusic.com]

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this collection by emailing: archiveslocalstudies@manchester.gov.uk

Uploaded as part of Manchester Pride’s OUT! heritage project.
Swithin's
Advert, 1982
Advert from Swithin's Gay Disco and Restaurant 1982, The Mancunian Gay magazine.

Swithin's was frequented mainly by women.

Writer (City Fun), record label owner (Catcall Records) and feminist agitator Liz Naylor said of Swithin's:

"It was an absolute dump, in a basement by the side of Thomas st carpark. The only way they could get a license was to serve 'food', so at around midnight some fat bloke in a vest used to appear with plates if sausage and chips for the laydeez. The dj was appalling, the clientele were generally North Manchester/ Moston posties who frequented the Union. Of course I absolutely LOVED it and was a member - think you had to be? The membership comprised if a cheap imitation leather key fob with 'have a gay day' printed on it. Pure C-L-A-S-S don't come around too often."

Image courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this collection by emailing: archiveslocalstudies@manchester.gov.uk

Uploaded as part of Manchester Pride’s OUT! heritage project.
Roxy Hart
The Exit
Advert, 1982
Advert for The Exit, Disco Restaurant 1982, The Mancunian Gay magazine.

Roxy Hart was one of the first BAME drag artists to become prominent on the Manchester LGBT scene.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this The Mancunian Gay magazine collection by emailing: archiveslocalstudies@manchester.gov.uk

Uploaded as part of Manchester Pride’s OUT! heritage project.
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Cath Carroll, Liz Naylor
9 Lucy Street, Trafford
Fanzine, 1982
Manchester's Chief Constable James Anderton and the Queen - Illustration for City Fun by Brian Mills.

Queer writers/agitators Liz Naylor and Cath Carroll were the driving force behind post-punk fanzine City Fun at this point.

They baited James Anderton - Manchester's fundamentalist Christian Chief Constable - on a regular basis.

Liz Naylor remembers:

‘I think he (Anderton) really did look around the city and thought “this place is full of scum and I’m going to wipe it out:"’

Jon Savage writes:

'Manchester felt under lock-down then: if you were out late at night, you’d get stopped at least twice a week. It wasn’t just gay people, it was anyone who looked and acted different. Anderton’s presence was really malevolent.'
Hero's
Advert, 1982
Advert from Hero's 1982, The Mancunian Gay magazine.

Thursday Aug 12th Mancunian Gay party night.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this collection by emailing: archiveslocalstudies@manchester.gov.uk

Uploaded as part of Manchester Pride’s OUT! heritage project.
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Ludus
The Hacienda
Advert, 1982
In later years the Haçienda became an important venue for LGBT people but back in 1982 - the year it opened - it perhaps wasn’t particularly forward thinking in its attitude to women.

That year Linder Sterling played a legendary gig with Ludus wearing a dress made of raw meat in protest at the venue’s frequent showing of porn films.
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Ludus
The Hacienda
Photograph, 1982
Photo: Ikon

In 1982 feminist provocateur & artist Linder Sterling played a legendary gig with Ludus at the Hacienda in protest at the venue’s frequent showing of porn films.

Here’s a quotation from Linder Sterling about that night taken from a recent paper by feminist academic and writer Sarah Feinstein.

"My seamstress and I worked very quickly in the hour before I was due to sing, embellishing my bodice with raw meat…Liz and Cath (City Fun) - who were known as the Crones - handed out small packages of leftover meat wrapped in pornography to the audience. Then they tied bloodied Tampax to the bannisters of the Hacienda, and at this point the management really panicked…We carried on regardless, and for the last song I triumphantly removed my skirt…to reveal not myself, but the black dildo which I was wearing beneath it.

This was my retort to the Hacienda’s casual and interminable showing of porn films. I finished singing the last song to absolute silence from the audience. It was bonfire night. ‘Gunpowder, treason and plot…"
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The Smiths
Manhattan Sound (Manhattan's)
Press, 1983
This is a review from City Fun March/April 1983. The go-go dancer referred to was possibly James Maker, who was later in Raymonde.
Frank Lammar
Foo Foo's Palace
Photograph, 1983
Frank Lammar's obituary from The Times, November 18, 2003.

Photo supplied by the Queer Music Heritage website.
www.queermusicheritage.com/

"One of the North of England’s most popular female impersonators, Frank Pearson appeared in the guise of the brassy Foo Foo Lamarr in Manchester nightclubs and cabaret venues. Appearing on stage in blonde bouffant wigs and expensive sequinned gowns, he was known for his caustic wit and repartee with tough northern audiences.

Off stage he was a shrewd businessman, and by most showbusiness standards he was astonishingly successful. In a career that spanned three decades he amassed a personal fortune of more than £5 million, but his own wealth was eclipsed by the amount he raised for charities. He opened his own Manchester nightclub, Foo Foo’s, which became a favourite for hen and stag parties, and had a financial interest in a string of clubs, bars and restaurants in the city.

Pearson was born in Ancoats, the son of a rag-and-bone merchant, and left school at 15 with a fierce ambition to go into showbusiness. He took a job at a paper-recycling plant but in the evenings began appearing in drag in pubs under the name of Foo Foo Lamarr, Heddy Lamarr being his favourite screen actress. When his father first saw his son’s act, he was so incensed he threw a bar stool at him across a crowded pub. “Someone told my Dad that I was singing in the Ancoats Arms, but what they did not tell him was that I was stretched across the piano in a frock,” Pearson recalled.

In the 1960s there had been a boom in drag acts in Northern clubs. Danny la Rue had paved the way for many female impersonators with his lavish family stage shows, and comedians such as Larry Grayson had made camp humour respectable on television. Pearson’s own rise to fame was quick. A gifted performer, he developed an act that was risqué but perfectly timed. “I don’t see myself as a drag queen,” he said, “I’m more of a comic in a frock.”

He was particularly in demand for hen parties and nightclubs, and soon attracted a large following. Coach parties of women would often travel from all over the country to see him perform. In 1971 he bought his first club, the Picador in Shudehill, followed by Celebrity, which became Foo Foo’s Palace, in Dale Street, Manchester. Foo Foo’s quickly established itself as a premier nightspot. A favourite with Manchester United players, it was also frequented by many showbusiness personalities.

Off stage he became almost as big a celebrity as he was in drag, a familiar sight in his native city dressed in shiny suits and dripping in gaudy jewellery. He owned a succession of Rolls-Royces with the registration plate FOO 1, and he delighted in giving lifts to local people in the neighbourhood. One described him as being as essential a part of Manchester as the town clock.

He was devoted to his mother, Leah, and took her shopping every day. The pair would often drive to a local fish and chip shop in his Rolls-Royce before returning to the bungalow that he had bought her in Moston.

During the 1990s Canal Street in Manchester — the city centre area in which the successful television drama series Queer as Folk was set — had become popular with the gay community. At the same time Pearson bought a number of clubs and pubs in the area, including Napoleon’s and Cruz 101.

He lived lavishly but spent most of his spare time raising money for local charities, including the Royal Manchester Children’s Hospital, and his appearances at charity auctions guaranteed large donations from the public.

A regular on TV chat shows, Pearson also recorded an LP, My Life at the Palace, and a single, Around the Old Camp Fire. Last year he published an autobiography, I Am What I Am, which had an introduction by Sir Alex Ferguson. He is survived by his partner of 29 years, Billy Hughes.

Frank Pearson (Foo Foo Lamarr), female impersonator, was born in 1938. He died of cancer on November 7, 2003, aged 65."
The Smiths
Poster, 1983
Promo poster for The Smiths' startling debut single, Hand In Glove.

Cover star: unknown model photographed by Jim French, taken from Margaret Walters' book 'The Nude Male'.

According to Jo Slee, "It caused a frisson of semi-homophobic delight even among the more earnest denizens of Rough Trade Distribution at the time."

Poster taken from the beautiful Smiths artwork archive, VulgarPicture.com
Liz Wright, Roy Stanyer
Archway
Press, 1983
Source: City Life Jan 1983
Archway opens, 1983. Archway was a gay men's club with a focus on leather/denim nights and hi-NRG.
The Smiths
Video, 1983
Filmed for The Old Grey Whistle Test, BBC TV, Live at Derby Assembly Rooms, Dec 6th 1983.

The subject of Morrissey's sexuality was very much a hot topic from the birth of The Smiths.

He was famously claimed to be celibate for a number of years, before explaining in the late nineties that he regretted discussing the subject in public, saying it had become 'an albatross'.

In 2013 Morrissey said, "In technical fact, I am humasexual. I am attracted to humans. But, of course, not many."
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Devilles, Bernard's Bar (Slingsby's)
Other, 1983
Bernard's Bar (later to be known as Stuffed Olives, Bar Kay and now South nightclub, 4a King Street) was a Manchester gay club run by Bernard Slingsby at a time when there were very few in the city centre.

Deville's was a club on Lloyd Street attracting a mixed crowd, latterly the post-punk/goth crew.

I'd like to learn what the connection was between the two venues, or whether this was a simple co-promotion.

Bernard's Bar was name-checked by Morrissey in an interview with Melody Maker where he said ‘if one wanted peace and to sit without being called a parade of names it was the only hope’.

Apparently, in the late 1980s future Hacienda star Jon Da Silva made his name on the decks at Bernard's. The club drew a crowd of gay and working-class straight men, with people queuing around the block to get in, including future Happy Mondays stars Shaun Ryder and Bez. Accounts from DJs and revellers reveal how the shared love for music broke down barriers between communities. Can anyone corroborate this?

In 2007 Bernard Slingsby ran as a Conservative candidate in the Radcliffe West ward and also campaigned to stop the closure of care homes for the elderly. He died in 2015.
High Society (club)
Advert, 1983
Advert from 'Boystown Review', Christmas 1983, the Mancunian Gay magazine.
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Berlin
Other, 1983
The Secretive Ball every Monday at Berlin. The year is a guess.

"Extravagance appreciated."
Ludus, Cath Carroll, Liz Naylor, Linder Sterling, Dave Formula
The Hacienda, Hero's
Press, 1983
Review of Ludus, The Mancunian Gay, 1983

Dildo Tango in the Witches (sic) Kitchen.

Is the headline of the century? A slightly misinformed, but positive review of the legendary Ludus gig at the Hacienda, in which Linder Sterling staged a protest against the casual showing of porn at the venue. This is the moment when Linder wore her famous 'meat dress' which she whipped off to reveal a large black dildo. The protest was arranged in cahoots with Liz Naylor and Cath Carroll, then of City Life.

Next to this we have a review of Sylvester's PA at Hero's. The reviewer is somewhat underwhelmed.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this The Mancunian Gay magazine collection by emailing: archiveslocalstudies@manchester.gov.uk
Tony Wilson, Alan Erasmus
The Hacienda
Press, 1983
Haçienda review, 1983, The Mancunian Gay.

A not-very-positive review of an early attempt at a gay night by the Hacienda, probably leading to Gay Mondays.

I do like the sound of Alan Erasmus's smoking jacket though. How funny!

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this The Mancunian Gay magazine collection by emailing: archiveslocalstudies@manchester.gov.uk
High Society (club)
Advert, 1983
Advert for High Society ,1983, the Mancunian Gay magazine.

Interesting editorial piece above that details an arson attack at Hero's and another LGBT venue next door, Stuffed Olives.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this The Mancunian Gay magazine collection by emailing: archiveslocalstudies@manchester.gov.uk

Uploaded as part of Manchester Pride’s OUT! heritage project.
Blues
Advert, 1983
Fantastic advert for Blues, the Mancunian Gay magazine, 1983.

Tameside's only Gay Disco.

Classifieds are a good read.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see collection by emailing: archiveslocalstudies@manchester.gov.uk

Uploaded as part of Manchester Pride’s OUT! heritage project.
1
The Hacienda
Press, 1983
Review, Eurythmics at the Hacienda, NME, 1983.

"Coltish abandon."

Text: Cath Carroll.
Photo: Chris Clunn.
1
Gay Animals
The Buzz Club
Photograph, 1983
The Gay Animals play at the Buzz Club, Thompson's Arms by Chorlton Street Coach Station.

Photographer unknown.
Les Cokell
Hero's
DJ Mix, 1983
Courtesy of Greg Wilson & Leo Stanley.

This is a recording of legendary Northern Soul/hi-NRG DJ Les Cokell live at Hero's club, Ridgefield, Manchester in July 1983. Les was a pioneering force in Manchester music. According to legend he played the last record at The Twisted Wheel in 1971. He then went on to a residency at Blackpool Mecca, eventually being replaced by Ian Levine.

He helped to shape the hi-NRG scene in the UK with his pumping club mixes and his 'Castro Connection' column in what was then known as Disco Mix Mag.

More info below:

tinyurl.com/ycokq9aa