Sam Brown
Russell Club
Press, 1988
From City Life Student Special issue, Oct. ’88 - local pirate stations.

“Them a call us pirates, them a call us illegal broadcasters, just because we play what the people want."

Cocoa Tea 'n’ Shabba (Russell Club floorfiller circa ’88.)
Scottsman
PSV Club
Flyer, 1988
Mighty Diamonds hit PSV.
1
Fallover 24, Dave Hulston, I'll Show Harry, Dutch Uncle, Escalater, Junior Holder, Claire Mooney
Hulme Carnival
Flyer, 1988
Hulme Carnival ’88, this time at Birley High School, Alma Mater to certain Jazz Defectors, Armed Force members, Dancing Tarantulas and I’m sure a few other Manchester bands/artists.

Although the Hulme Carnival was much smaller than the Moss Side Carnival it still had a good atmosphere and a community feel about it. I don't recall the school being used very often for community events, although I think Bonfire Night circa '89 it had loads of bands including Dub Sex , Flea etc.
West Indian Sports & Social Club
Flyer, 1988
Only saw Gregory the one time; it was at the International, big posters around town promoting 'Cool Down The Pace' and 'Night Nurse' in his Cool Ruler phase.

There was some serious trouble around town about this time between rival poster mobs, almost gangland-style violence, but that's another story altogether.

'Cool Down The Pace' was on a 10" where the dub came in first.
3
Hulme Crescents
Photograph, 1989
Sod it, cheeky and self-indulgent I know: memories of a time when I was a one and a half car family man, my knackered Lada and Marina parked next to Charles Barry Crescent, Hulme. And on the wall behind is one of those blue historic spot things marking the location of the original Rolls Royce factory on Royce Road.
2
A Guy Called Gerald
Photograph, 1989
Press shot for A Guy Called Gerald, circa 1989. Original photographer uncredited.
2
The Kitchen
Flyer, 1989
Paul Pryce writes:

The Kitchen was the club that really launched the Manchester late night scene, it took place in two flats knocked into one, on the top floor of the block behind the old Russell Club. The Kitchen was the real reason to go out, not the Hacienda (that was the warm up), open from 2am until the drugs wore off, resident DJs, the JAM MC’s (Submitted 01.11.07)

Dubwise-er writes:

This was a mad place, great! I’m surprised there’s even a flyer for it. It used to get totally rammed, especially on a Saturday when we’d pile out of The Russell and people would come from near and far.

The lad who lived there was a rather quiet, unassuming chap and you had to admire him and his fellow workers' dedication to breaking through those walls (even though it could keep you awake at nights).

If you could manage to get up the stairs and into the 'rehearsal' rooms next door, there were always instruments you could play on. So lots of Manchester muso types would be there jamming away with the likes of me, who couldn’t play owt, banging on the bongos or shaking a tambourine or something.

I remember Peter Hook playing along on at least on one occasion. He was good (well he’d have to be) and a bit hard to keep up with, especially when you’re pissed and not au fait with your instrument of choice.

Used to pop around sometimes during the day if people were rehearsing, just to see what was occurring. After a while pretty much stopped going along to the weekend shenanigans. It got even more packed with people queueing outside.

The police never bothered with Hulme, which is why most of these things could occur. It just seemed normal at the time but with hindsight it wasn’t really. For the most part, except for all the crap bits, it was good.
The Kitchen
Ticket, 1990
Jenny B writes:

Jamie was a love and a talented producer, I enjoyed recording here - it didn't start out as a club - the parties sort of grew like a monster, though I do remember one night being part of an awesome funk outfit that evolved during the early hours .. no idea who the other players were
The date is a guess, by the way.
Ruthless Rap Assassins
Moss Side Community Centre
Press, 1990
Opening of a new community recording studio in the Moss Side Centre.
"...Phil Collins look out!".
1
Fallover 24
Hulme Labour Club
Press, 1990
A community recording studio set up near where The Chequered Flag was in Hulme. A lot of the labour was voluntary, and as I knew some of the lads, I helped out .Was sorry to hear about Steve McGee who was the main instigator; top man!

Actually when it was officially opened by some lord mayor type, I got there a bit late and as I rushed through the door there was Steve engaged in deep conversation with said mayor with a film crew from Granada recording the meeting of two great minds.

Before I knew it, Steve grabbed me and said “have you met the lord mayor...?” and promptly did one, leaving me speechless with this primped up, pompous bling king shaking my hand and beaming at me for all of Granada Land to see, as I was later informed.

Well, as me and lord mayor types don’t generally get on I went looking for that rascal giving it , “what the f*#k you leave me with that beepin’ beep for?”

Mr. Wilson was at that one and with hindsight he did a lot of good things, even on the smaller scale, so fair play.

Fallover 24 were a pretty good band, still got that 'Pessimistic Man' 12" somewhere.
Moss Side Community Centre
Flyer, 1990
Just to show how things were going and a sign 'o the times under the 'milk thief'.
5
Hulme Crescents
Flyer, 1990
Fun in the sun, I can almost still remember the smell...
1
Northside
PSV Club
Ticket, 1990
A Monday night in Rainy Hulme. I seem to remember a free bar and Flowered Up weren't as awful as I thought they would be.

Brain Moonflower was in his daft outfit and doing his Southern Bez!

Northside were pretty poor from recolletion. Like 'non-speaking extras from Brookside' according to Q.

I remember leaving and loads of folk had parked their nice cars outside and every window was smashed.

Remember going the Hac afterwards and getting hammered.

Happy days!
Ruthless Rap Assassins, Greg Wilson, Kermit Aka Paul Leveridge, Dangerous Hinds, Dangerous C, Ian Tilton
Hulme Crescents
Photograph, 1991
Ruthless Rap Assasins outside Hulme Crescents. Photo by Ian Tilton.

Taken from Wikipedia:

Ruthless Rap Assassins were a British hip hop group from Hulme, Manchester, England. The group was formed by MC Kermit La Freak (later simply Kermit - real name Paul Leveridge) and brothers Dangerous Hinds (real name Anderson Hinds) and Dangerous C (real name Carson Hinds).

Kermit grew up in Moss Side, Manchester - where he learnt to play violin at the age of 6 - and was briefly a DJ under the name of 'DJ la Freak', whilst doing a psychology degree at Manchester Polytechnic. He joined the breakdance crew Broken Glass, who moved into making records with "Style of the Street" following a meeting with Manchester DJ and producer Greg Wilson.

The song was recorded for the Street Sounds Electro UK (Street Sounds, 1984) album, but the label owner Morgan Khan was impressed with their work and persuaded them to record more tunes for the album. In order to give the impression of a thriving British hip hop scene, the songs were recorded under a variety of aliases: in truth, of the seven tracks on the album, only one was not recorded by Broken Glass.

Kermit met the Hinds brothers - at the time calling themselves the Dangerous 2 - and together they decided to form the Assassins, with Greg Wilson staying with them as a producer. Their first release was the single "We Don't Kare" (Murdertone, 1987), which had as a B-side a song by Kiss AMC - an all-female Manchester rap group that featured Christine "Kiss" Leveridge, Kermit's sister. They followed this with two singles entirely of their own, "The Meltdown Session" (Murdertone, 1988) and "The Drone Session EP" (Murdertone, 1989) - in between which, Dangerous C performed a rap for a B-side remix of Kym Mazelle's "Useless (I Don't Need You Now)" (Syncopate, 1988).

Following this, the group released Killer Album (Murdertone/EMI, 1990). The album was a mixture of social commentary ("Justice (Just Us)") and more comical tunes ("Jealous MC" or a high-octane cover of The Coaster's "Yakety Yak"). It yielded two minor hit singles in "Just Mellow" and "And It Wasn't A Dream" (a duet with Tracey Carmen). The album received critical praise - UK hip hop magazine Hip Hop Connection (February 1991, No. 25) called it "the best rap album the UK had ever produced" - and even managed to get the single "And It Wasn't A Dream" (Murdertone/EMI, 1990) terrestrial television airplay. But despite making an impact within the scene, and getting crucial support from John Peel at BBC Radio 1 the album failed to translate this into sales. This album was reissued with extra tracks by Original Dope/Cherry Red in October 2010.

Trying again, the group went back to the studio to record their second album Th!nk, It Ain't Illegal Yet, introducing live percussion from Ged Lynch to their usual mix of social commentary ("No Tale, No Twist" told the story of life growing up in Manchester's urban slums, whilst "Down and Dirty" was a sex rhyme featuring "guest vocals" from Jealous MC). Again, the album was liked by the critics and the industry - BBC Television had Dangerous C on an edition of Blue Peter to demonstrate the techniques of sampling and plug the album - but again, this good reception was not reflected in sales. The group split up shortly afterwards.

Soon after the Assassins' split, Kermit and Ged joined Shaun Ryder to form the group Black Grape and earned pop success with them, before leaving the band after suffering from septicemia and being replaced by Psycho. Since then, Kermit has released records as Manmade and made guest appearances on other artists' songs, such as Bentley Rhythm Ace. His more recent project was Big Dog with Ged from Black Grape. Anderson Hinds left the music industry and worked as a teacher - although in a 2000 interview Kermit mentioned that the two of them were considering making more tunes together. Ged Lynch became a session musician.
Ruthless Rap Assassins, Kermit Aka Paul Leveridge, Dangerous Hinds, Dangerous C
Hulme Crescents
Photograph, 1991
Photo: Adam Jones

Taken from the brilliant Original Dope site:

Established in 2010, Original Dope is committed to preserving the legacy of the best hip-hop music on the planet. With a strong emphasis on classic British rap and lost American standards – if it bangs, we bring it! (see link below)

From Wikipedia:

Hulme Crescents (known locally as just The Crescents) was a large housing development situated in the Hulme district of Manchester, England. The scheme was the largest public housing development in Europe, encompassing 3,284 deck-access homes and capacity for over 13,000 people. It gained notoriety as one of the 'worst' public housing schemes in British history and was marred by serious construction and design errors. The problems were so bad the large housing scheme was short-lived and demolition on The Crescents began in 1991 - just 19 years after it was constructed in 1972.

By 1984, the Crescents had become so undesired by prospective residents that Manchester City Council, which lacked sufficient funds to demolish the housing scheme, stopped charging rents entirely from tenants. However the council did still provide electricity to the building to those who needed it. The Crescents became an eclectic place for various subculture groups such as bohemians, criminals and squatters. Unwanted by the council, occupants resorted to altering The Crescents themselves. The Kitchen was an illegal nightclub which was created from three knocked-through flats and was described as a "much wilder alternative" to the nearby Haçienda club. Creative residents proceeded to put their own stamp on the building and covered the dreary grey concrete surfaces in graffiti.

The Guardian critic Owen Hatherley argued that the sense of dereliction made The Crescents a breeding ground for creativity. "All the things bemoaned as deleterious to family life . . . the complexity of the blocks, the noise and sense of height, the lack of a feeling of 'ownership' in the communal areas" turned out to be "perfect" for a different sort of tenant, Manchester's young bohemians, who relished the estate's air of decaying modernism. By the early 80s, it had an art house cinema, club nights run by the soon-to-be-famous Factory Records, and even a "Hulme look" of intense youths in baggy secondhand suits. Hatherley juxtaposes the difference between the Manchester of the 1980s and 2010s: "the very fact that many spaces were unused . . . led to a sense of possibility absent from the sewn-up, high-rent city of today"
1
PSV Club
Flyer, 1991
Flyer for a Thursday at the PSV in Hulme
11
The New Ardri
Flyer, 1992
Flyer for US hardore band Fugazi, playing a very sweaty New Ardri in Hulme.
2
More Fool You, Dayglo Yellocet
The New Ardri, Butterfly Music
Flyer, 1992
Flyer for a gig promoted by Butterfly Music and featuring two local bands More Fool You and Dayglo Yellocet, back in 1992.

More Fool You have an entry on this site but my knowledge of Dayglo Yellocet is limited. The only thing I know of them is well known character Billy Whizz was the bass player.
Kitchener, Stretch, Amberjacks
125 Squat Venue, Hulme
Record / CD / Tape, 1993
Headscrew 125

7" flexi compilation of 3x Manchester bands (Kitchener, Stretch, Amberjacks) and Pigpile from Buxton.

All were core members of the 125 Squat venue on Charles Barry Crescent, Hulme

Lots of info, attitude and lo-fi energy.

First release on Refusenik Records.
1
Kitchener, Stretch, Amberjacks
125 Squat Venue, Hulme
Record / CD / Tape, 1993
Headscrew 125

7" flexi compilation of 3x Manchester bands (Kitchener, Stretch, Amberjacks) and Pigpile from Buxton.

All were core members of the 125 Squat venue on Charles Barry Crescent, Hulme

Lots of info, attitude and lo-fi energy.

First release on Refusenik Records.
1
125 Squat Venue, Hulme
Flyer, 1993
Flyer for 125 Squat venue (Hulme) to get more people involved.
Red Admiral
Photograph, 1993
Demolition underway along the Bonsall St, near The Red Admiral / Arch, circa 1993.
1
Hulme Crescents
Video, 1994
Uploaded to YouTube by uRBaNDaMaGe on Oct 27, 2008

"Here goes...footage taken from bike ride starting outside the Union Hall on the left 0:07, (still remains on Stretford Road) then passed the old shops, Woodcock Square onto Bark Walk through the Red Admiral car park, onto Hulme Walk (now Stretford Road), Union Hall church on your right 1:15.

Over Hulme walk footbridge (where the Hulme Arch is now) passing Ribchester Walk on your left 2:47.(Otterburn in background) then Salter Square on your right, cross the road, Charles Barry Crescent on your right 3:23, Iron Duke pub, left 3:26, (Zion Centre up ahead, 3:34 - Hulme Library left 3.36) ending in Clopton Walk, (Totem Pole included 3:55)

1994
Hulme Crescents
Video, 1994
Uploaded to YouTube by PublicEnquiry on May 9, 2011

"Shot in Hulme, Manchester in about 1994 before the flats came down - this is a seven minute amateur video made courtesy of the WFA's free courses for unemployed people.

It was going to be a film with dialogue but we shot quite a bit of it with the camera microphone switched off and only discovered that when we were dubbing it over, so it became a music video instead.
The three of us had a fine laugh making it anyway."