Russell Club
Flyer, 1982
Because I lived right by the Russell, when the soundsystems played, the whole roof of the building used to rattle and vibrate like a big speaker. You could just sit at home, or lie in bed and listen to The Selector’s choice. I don’t recall hearing of anyone going over and asking them to turn it down!
Persian (Mr. Soul Persian)
Unity Night Club
Poster, 1982
The legendary Alton Ellis plays Unity with the equally legendary Reno Club DJ Persian.

Mr. Soul Persian (born Kingston, 1943) came over to Manchester at the age of eighteen. He started out playing blues and shebeens, then scored his own little shebeen in the cellar of Denmark Cafe on Denmark Street.

He remembers:

"First of all it was a little bit of a social thing, it was like a shebeen but just a small thing, it was just about me and my friends. And at night we use to go down there and play our music, sell a few beers to people passing by and use to have some really nice times down there because I loved jazz. In the early hours of the morning I use to sit there with my friends and we would play some Jimmy Smith, Wes Montgomery because it was more for us, our own entertainment and we use to just have fun.

And that was when one night Phil (owner of the Reno in Moss Side) sent this guy down to see me. He said Phil would like to see me at The Reno, because The Reno had been going for a few years then, but it just seems like they weren’t doing anything you know.

Nobody was interested in going in there. Like on a Friday and Saturday night, The Nile was empty as well, you know, very few people. So I went to see Phil and when he saw me he must have thought 'this guy can’t be any good', we talked and he didn’t bother, he got somebody else. He tried Kaz, he tried Leroy, he tried all the sounds and he still couldn’t get the club going, so in desperation he came back to me and he sent for me and I went again and he said 'OK, I would like you to be the DJ of the club', so I said 'OK'.

(Excerpt from interview with Yvonne McCalla for Commonword)
Hulme Carnival
Photograph, 1983
African drumming at Hulme Carnival, August 1983. The White Horse pub is behind the stage with John Nash Crescent looming in the background.
Hulme Carnival
Photograph, 1983
Hairstyles of the 1980s.
2
The Lion And The Christian, Dancing Tarantulas
Hulme Carnival
Photograph, 1983
A 'Dancing Tarantula', and a 'Lion and the Christian' in front of the Zion building, Hulme Carnival 1983.

One year the singer of the latter band had a bit of a verbal stoush with the sound guy - Oz of the New Order camp - over the quality of the sound while they were playing - all good clean fun.

Harlem Spirit were another band who played the carnival, circa 1982.
Hulme Carnival
Photograph, 1983
Paparazzi looking for the scoop over Charles Barry Crescent, Hulme Carnival ’83.

Mad how people used to just sit on the balconies like that; I get vertigo just thinking about it.
1
Inca Babies
Hulme Carnival
Photograph, 1983
Inca Babies playing in front of The White Horse, Hulme Carnival, August ’83.
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The Stone Roses
Hulme Crescents
Photograph, 1983
Ian Brown's flat, top floor of Charles Barry Crescent.

Posing with myself. Believe the Stone Roses had just started under that name around that time.

I lived in the same Crescent for 3 years and loved it. Fond memories 30 years later.
PSV Club
Poster, 1983
The legendary Mr. Osbourne of 'Truth and Rights' fame hits the PSV...or does he?

This was an unusual night as this performer turned out to be a fake Johnny Osbourne, touring under the name of the real one.

Note the 'e' in his name before the 'y'!

Artefact supplied by Dubwise-er.
PSV Club
Flyer, 1983
Another legend at The Russell. A night for lover’s for sure...
PSV Club
Flyer, 1983
Another stellar line-up, direct from J.A..
Mike Shaft used to play a lot of this stuff on his Saturday evening show, with the odd guest on too.
Megatone Massive
PSV Club
Flyer, 1983
New Year's Eve with '1983's overall champion', Megatone Sound.
Harlem Spirit
Video, 1984
Harlem Spirit video found on YouTube.
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Harlem Spirit
Video, 1984
Harlem Spirit do 'Dem A Sus'.
Baron Hi Fi
Hulme Carnival
Photograph, 1984
Locals having a jolly nice time, Hulme Carnival, 1984 with part of Baron Hi-Fi’s deafening mega sound system behind them. Got a tape somewhere of them playing on the day, with chats about Reagan and Ayatollah in Iran an’ ting.
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Hulme Carnival
Photograph, 1984
Members of The White Horse bar staff having a well earned rest on the day.
Hulme Carnival
Photograph, 1984
A couple of lively lasses enjoying the sun and a warm beer on carnival day.

The White Horse often went from that to 'The White Hor' depending on how witty the local vandals were on the day.
3
Hulme Carnival
Photograph, 1984
The coolest man in the universe pops out for the day in all his finery. Don't remember his name but he had a thing about dressing cowboy style, shoelace ties and the like; always turned out stylishly, like the local sheriff.
Chad Jackson, Street Machine
PSV Club
Flyer, 1984
RIP Smiley Culture.

This is a flyer from PSV.

David Victor Emmanuel (10 February 1963 – 15 March 2011), better known as Smiley Culture, was a British reggae singer and deejay known for his 'fast chat' style. During a relatively brief period of fame and success, he produced two of the most critically acclaimed reggae singles of the 1980s. He died on 15 March 2011, aged 48, during a police raid on his home.

[Wikipedia]

Artefact supplied by Dubwise-er.
6
The Junction
Photograph, 1984
The Grand Junction, a Victorian pub left alone surrounded by concrete. Not unlike the 'flat iron' building in NYC. Good place for Sunday lunch, Guinness, and what a location for an urban movie!

The waiting car, a mini cab, and the sign on the lamp post says Ormsgill Close, no houses, just waste land.

Photo (c) Richard Watt
Linda Brogan, Phil Magtotiwan
Reno Club
Photograph, 1984
PHOTO: Former Reno owner Phil Magbotiwan outside the club (Image:The Reno Archive)
PHOTO: Frank Pereira and friends in The Reno (Image: The Reno Archive)
Linda Brogan in her teenage years when she was a Reno regular (Image: The Reno Archive)

Taken from a piece in Manchester Evening News about Linda Brogan's Excavating the Reno project:
thereno.live/home

A piece by Emily Heward that appeared in MEN in 2017 is reproduced below: www.manchestereveningnews...

Muhammad Ali is said to have gone there. Tony Wilson supposedly had his stag party there. Even Bob Marley is rumoured to have visited.

Moss Side cellar club The Reno was legendary in its day, ‘a civilisation with its own black market, social structure, king and queen, all frustrated artists’, as former regular Linda Brogan describes it.

Yet its name seems to have been lost somewhere in Manchester’s illustrious clubbing history.

Opened on the corner of Moss Lane East and Princess Road in 1962, its heyday was from 1971 to 1981 when it became a haven for Manchester's mixed-race community who often weren't welcome elsewhere.

Linda remembers being struck by how many great looking mixed race guys there were on the first night she went there, aged 17, in 1976.

“It was like ‘oh my God I didn’t know that many of us existed’," she recalls.

“The closest description I can give it is Goodfellas, when they walk in and you’re either in or you’re out. And it was an absolute badge of honour to be our colour, you were definitely in.”

Spinning rare funk and soul records imported from America, it attracted a crowd of artists - although Linda says they wouldn’t have dared to think of themselves in that way at the time.

“The Reno was our theatre. You’d come in and different people would cut different styles,” she says.

“Some people would sew leather Rizla signs on their jeans and there were two white girls who’d come down with their cowboy boots painted silver.

“There were just amazing characters, all dead rum and all dead anti-society, talking about Malcolm X and Buddha and Krishna.

“The other thing many of us had in common was tragedy. Many had an alcoholic mum or there was something wrong in the background.

“We vibed with each other. Certain sorts of tragedies give you a certain sense of humour.”

Jamaican-born DJ Persian played at the club from 1968 to 1983 and remembers it as a place where people came to heal.

"Living in that area, people were suffering," he says.

"Work was hard to find. It was difficult for the youngsters and mental health came to the front.

"A lot of mixed race kids were drawn to the club because it was a place where they felt like they were at home. They'd go to town and the white folks didn't like them or they'd come to Moss Side and the black folks didn't like them. They got blamed for all sorts.

"They were accepted at the Reno. For them, when they came in, they saw other kids like themselves and they felt comfortable and enjoyed their lives. It started a healing process.

"Not everyone, but for most of them it changed their lives. It was a special place."

"That was what drove everybody to the club. It was carefully selected and it had healing power," says Persian.

"It was what I now call underground soul and it wasn't in any other venue in the city at the time.

"I always listened to proper R&B from the 50s and I learned about the music style. In the content of the music and the lyrics there was a message that I would find in the tracks that I played. Unconsciously that was going into their psyche.

"If they had a bad day they came to the Reno to listen to the music, it soothed them."
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PSV Club
Flyer, 1984
Think these bands were more on the lighter/Lover's side. Coxsonne Dodd was an old mate of Murray from Murray's Music City in Brook's Bar, then later Princess Road. I doubt whether he ever travelled with the sound though, think maybe it was his son and/or heir.

Clement Seymour "Sir Coxsone" Dodd, CD (Kingston, Jamaica, January 26, 1932 – May 5, 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond. He received his nickname "Coxsone" at school: because of his teenage talent as a cricketer, his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team.

[Wikipedia]
Megatone Massive
PSV Club
Flyer, 1984
Never saw Winston Reedy or The Cimarons but that track 'Personally Speaking' was a killer. Bought it in The Bullring in '84. If you're romantically inclined it's best heard with a glass of Chabblybably '09 and a home delivered pizza...Divine!
2
Bubblers Sound
Flyer, 1984
Don't recall Bubbler's Sound. 'Musical efficiency and lyrical stability'. Yes indeed.