Academy 1 (Manchester Academy)
Other, 1993
A rare glimpse of the bookings diary used by Sean Morgan, artist booker at the Academy, to log all their shows in 1993.

A few things of note about the booking here: Apache Indian cancelled his planned show due to the world wide success of his Boom Shack-A-Lak single, Bjork was in town in support of her Debut album released earlier in the year and the Smashing Pumpkins were riding a wave of critical and commercial success of their brilliant Siamese Dream LP.

With thanks to Sean Fintan Morgan
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Academy 1 (Manchester Academy)
Ticket, 1993
Story by Abigail

I think this may have been my first ever gig at the Academy. I went with my sister. I had a real thing about the Pumpkins' album 'Siamese Dream' but couldn't get into anything that followed.

I also liked that era of support act The Verve, but I can't quite remember anything about seeing them on this occasion. They were great a couple of months later at The Mill in Preston - it was 'Gravity Grave' and that shit. There was still a bit of mystique, pre-cat-in-a-bag and all that. I retain a weak spot for 'Sonnet', though, in spite of its terrible rhyming couplets.

Anyway! The Pumpkins were really intense. We got the breath squashed out of us. We were shitting it a bit, I think. The main thing for me was Jimmy Chamberlin. He was just an absolute monster on drums: fierce, complex, relentless.

After the gig we got talking to some lads outside the venue. They were having a conversation with Richard Ashcroft through a tiny window round the side of the building near where the coaches used to park. They were saying, 'Look, man, why are you supporting? You should be headlining!' We had a bit of back and forth with Richard and he ended up passing us a litre bottle of water through the window because we were so exhausted and thirsty!

As I recall, one of the lads then gave us his ticket (pictured), which has been signed by Billy Corgan. It felt like a magical night.
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Oasis
Academy 3 (Hop & Grape)
Ticket, 1993
Great gig by The Milltown Bros and the Real People, supported by some chancers from Burnage.
Academy 3 (Hop & Grape)
Photograph, 1993
Photo: Steve Manford
Story: Steve Manford

I went along to see Pulp at the Hop & Grape because I'd seen them featured in Select magazine. I went along with my friend, the performance artist Lord Mongo. I took my camera along. The first song absolutely blew me away. I remember thinking that Jarvis Cocker was the missing link between Quentin Crisp and Ian Curtis. He was the best frontman I'd ever seen; each song sounded better than the last. It was totally revelatory. I sat on the stage to take photos. I remember hearing 'Babies', 'Do You Remember The First Time?' and 'Lipgloss' from the album Pulp:Intro.

(Typical photo of Jarvis inspecting the crown jewels. I like that you can see Russell Senior's glasses in the background - AW.)
808 State
Academy 1 (Manchester Academy)
Video, 1994
808 State at Megadog, 1994.Ropey video, but sound-wise a good sense of where 808 State were at at this time.
Academy 3 (Hop & Grape)
Press, 1994
Taken from City Life.

Elastica hit the Hop & Grape on the back of 'Line Up' and talk in Melody Maker of 'the new wave of new wave'.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this the City Life collection by emailing: archiveslocalstudies@manchester.gov.uk
Inspiral Carpets
Academy 1 (Manchester Academy)
Advert, 1994
Taken from City Life.

The fifth Megadog hits the Academy along with the Cocteaus, Primals and Pavement, who were touring 'Four Calendar Cafe', 'Give Out But Don't Give Up' and 'Crooked Rain, Crooked Rain' respectively. Class!

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this the City Life collection by emailing: archiveslocalstudies@manchester.gov.uk
Academy 3 (Hop & Grape)
Photograph, 1994
Photo by Steve Manford
Story by Steve Manford

Early 1994. All I can remember is how posh Justine was. I remember looking at her boots. You know when Doc Martens are really new and they don't quite pull across when the leather is really stiff? It was like she'd got a new pair of boots for the tour. She was a lovely girl. She was really friendly, gave people a kiss when she left.

Elastica were fantastic. I'd seen the video for 'Stutter' on the Chart Show. They looked great. They were really exciting to watch.
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Academy 2 (Main Debating Hall)
Ticket, 1994
The Afghan Whigs were touring their Gentlemen album and this show has always stuck with me because of an event that happened during the support band set.

The support was a US band called Dig who played poppy alt rock/grunge sounds, I was a fan and was down the front of a small audience enjoying it all. Between songs there was a group of teenage guys shouting "PLAY PAVEMENT, PLAY PAVEMENT!!", after a few songs Dig's vocalist interacted with them and and said "WHY DON'T YOU COME UP HERE AND PLAY PAVEMENT?", amazingly four lads no older than 16 pulled themselves up onto the stage, strapped into Dig's gear and played Elevate Me Later (I think) by Pavement! Ha!! It was a hairs on neck moment and they got a huge cheer (they were good!). Both Dig and the four lads were in awe afterwards and Dig pulled off their tours passed handing them to the guys saying they totally deserved them.

It was such a beautiful and spontaneous moment and I do occasionally wonder if any of the guys who jumped up onstage formed bands. I remember absolutely nothing about Afghan Whigs performance. Upstaged by boys!
Academy 2 (Main Debating Hall)
Ticket, 1994
Story by Rod:

Pavement were a great band. Heavily influenced by The Fall, of course. This* and their earlier gig at the Boardwalk were classics. Not least for the antics of their original drummer, Gary Young – before they sacked him for his bizarre behaviour.

At an Academy 1 gig he greeted fans at the back of the venue handing out carrots from a bucket – like you do! At The Boardwalk he did a naked headstand as they walked back on for the encore. At other gigs he apparently gave out cabbage, mashed potato and cinnamon toast. Also, any band with a member called Spiral Stairs is alright by me!

(* Think this might be the Academy 2 gig? The carrot story was in Academy 1.)
Academy 3 (Hop & Grape)
Ticket, 1994
The Voodoo Queens were an Asian fronted all female band often associated with the UK Riot Grrrl scene and this show in the Hop and Grape was the first time I witnessed the Riot Grrrl movement in action.

The band stopped the show after noticing a few guys jumping around a bit too aggressively and knocking members of the audience down the front, many of which were female. After telling the guys to calm down the band then stopped again and told the guys to get to the back of the gig, then it happened, a few women in the audience took action and started fighting back, ordering the aggressive guys to leave the front of the stage area, a stand off occurred before the guys left and there was a real sense that something special just occurred.

The Voodoo Queens were known to be fans of chocolate so me and a friend bought some fun-sized Mars bars and threw them on stage which the band thanked us for and ate between songs.

Support was by the brilliant Blessed Ethel. It's a shame they got lumped into the New Wave of New Wave movement because they were so much more than that in 1993/4.
Academy 1 (Manchester Academy)
Press, 1994
Taken from City Life. Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this the City Life collection by emailing: archiveslocalstudies@manchester.gov.uk

Click the zoom icon to zoom in.
Photos: Patrick Henry
Text: Sarah Champion

Story below sent in by Cosmic Cath:

Memories of Megadog

I vividly remember a conversation I had with a man in 1994 where I responded to a question about my activities the previous weekend using words like ‘mind blowing, life-changing and mesmerising’. The man responded by saying in a dispirited tone “there is only one thing that you can be describing there, and that is a sexual experience”, as he saw his chances of pulling me dwindling. “Oh no”, I replied, “I was at Megadog”!

When I think about my experience of Megadog, all those nights blur together into one fantastical, orgiastic cocktail of soaring beats and sweaty dancefloors, of triumphantly emerging in the early hours in my tie-dyed pyjamas and pig-tails, so elated by my experience that even the inevitable rain and cold of a Mancunian pre-dawn would fail to extinguish the joy of the night that had gone before.

The music was fluid, drawing me in then soaring and building to heart stopping crescendos, Eatstatic with their on-stage giant pulsating brain, usually provided one of the highlights of the night. But let us not forget: Banco De Gaia, System 7, Underworld, Transglobal Underground and all the other bands that provided the beating heart to those amazing Megadog nights.

Manchester Academy may be a bit of a barn of a building, but on Megadog nights, each corner seemed to be filled with potential excitement and magic. On one memorable occasion, I spent almost an entire Megadog shoehorned into the ladies toilets with two friends, one of whom was perpetually convinced that she needed to move her bowels. Despite the austerity of our surroundings, the atmosphere and that special Megadog magic meant that we still had an amazing time. At long last the much anticipated ‘thunderous evacuation’ arrived and we were able to rejoin the party, only to find that we had emerged triumphantly from our successful campaign to hear the final few beats and cheers of the night. On another occasion, I had taken a friend to Megadog who was a trance/ techno virgin. He came somewhat reluctantly but was so captivated by the experience and danced with such animalistic fervour that the dye ran out of his shorts, painting his legs black. A rather disturbing site in the grey dawn before we realised that it wasn’t necrotic tissue!

On other nights my memories are of a fantastic feeling of camaraderie with my fellow Megadog-ites. There was much sweat soaked hugging of strangers as we shared our appreciation of the music through increasingly elaborate dancing, thrusting our arms up towards the strobe lights and eying each other appreciatively before shimmying through the crowd to seek further kindred spirits. Dotted amongst the writhing masses would be fantastical creatures on stilts, be-decked in mind boggling outfits and swathes of UV paint. This was no ordinary night out, but a dreamscape, a place of possibility, where time itself took on an elastic quality.

Sadly all dreams must end, and finally the last tune would be belted out, the last stranger hugged and suddenly a sea of harsh lights went on to encourage people home at the end of the night. What had been a fairytale kingdom of UV paint, and mystically pulsating lights was suddenly revealed as a sordid mass of pale, sweaty partiers amidst a sea of discarded bottles, plastic cups and fag ends. Yet even this resounding return to reality failed to diminish our appetites for the next time, the next hit of Megadog magic.
Academy 1 (Manchester Academy)
Ticket, 1994
2am license for Primals who were basking in the glory of 'Rocks', which had brought them their highest chart position, albeit with little critical acclaim.
Academy 2 (Main Debating Hall)
Ticket, 1994
Story by Abigail:

I first stumbled across Pulp in August of 1993 on a short-lived but ace BBC 2 music programme called
No Stilettos, which featured bands playing in a beautiful church somewhere in Scotland. They were playing 'Pink Glove' and I was instantly hooked. I bought Pulp:Intro and learnt all the words.

I then saw them live at The Mill in Preston in November of the same year. The Mill was a venue and rehearsal room affair, not unlike Beehive Mill in Manchester, but more grotty and dilapidated.

That gig was an absolutely blinder - intimate yet celebratory, with Jarvis making full use of the slim pillars on the stage, curling around them and thrusting his narrow hips into them rudely, as he is wont to do. He had a little flirty moment with my mate on the front row also.

I was dying to see them again, so was chuffed when I found out they were playing MDH the following April. (I was a sixteen at the time, not particularly sweet.)

I have one abiding memory of this gig: it was too fucking full and I couldn't really see enough or get into it like I had done in Preston. Support came from Pram, who had a bit of a sixties-style psychedelic light show and were ace.

I reprised this experience at Glastonbury in 2011 when Pulp did an unannounced gig on Emily Eavis's Park Stage. Couldn't see a thing. The vibe was great but it was so frustrating not being able to see, especially as I knew this would be the last chance I ever had to experience them live.
Buzzcocks, Northside
Academy 1 (Manchester Academy)
Advert, 1994
City Life 251, April ’94.

Story by Abigail:

Chumbawamba's second appearance at the University/Academy still with misspelt name! But a different misspelling! Funny. I was desperate to see Morphine and The Auteurs, but couldn't make it happen, probably due to lack of wonga.
Oasis
Academy 1 (Manchester Academy)
Backstage Pass, 1994
Sadly, not a double header bill but a great pairing of backstage passes taken from two separate shows in 1994.

Blur played the Academy on 12 May

Oasis played the Academy on 18 December

With thanks to Sean Fintan Morgan.
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Oasis
Academy 2 (Main Debating Hall)
Setlist, 1994
Story by BigLav:

This set list was nicked by my own hands from the stage of the University gig on 9th June 1994, obviously it took a bit of a battering on the way home! But here it is in all its handwritten and misspelt glory!
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Oasis
Academy 2 (Main Debating Hall)
Autograph, 1994
Story by Big Lav:

A now framed signed poster from the original Oasis line-up, signed after a visit backstage after their blinding gig at the University on 9th June 1994, although Bonehead never signed it for some reason!
Academy 2 (Main Debating Hall)
Ticket, 1994
Very occasionally two bands you love would be playing in town on the same night and you'd have to weigh up the pros and cons about which band to spend your cash on.

Luckily this night had two shows featuring bands I really wanted to watch in the same building, Baby Chaos (supporting Shed 7 in Hop and Grape) and Helmet + Kerbdog (Main Debating Hall). I could only afford a ticket for one of the gigs (I chose Helmet) and struck up a deal with the bassist of Baby Chaos where he put me on their guest list.

Helmet were incredible, it was my first time watching them play and the muddiness of their records sounded crystal clear in the MDH.
Manchester University (see Academies)
Advert, 1994
Taken from City Life.

Jeff Buckley and the Manics are written about extensively in upcoming artefacts.

Courtesy of Manchester Libraries, Information & Archives. You can make an appointment to see this the City Life collection by emailing: archiveslocalstudies@manchester.gov.uk
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Academy 3 (Hop & Grape)
Ticket, 1994
Story by Mick:

I heard him for the first time on Radio 1. He had come to do a few songs live in the studio on Mark Radcliffe. He announced he was playing Manchester the very next night. I went down and got in on the door. Amazing!
Academy 3 (Hop & Grape)
Autograph, 1994
Story and image sent in by Dave Marsden.

This is an original 1994 pressing of ‘Grace’ that was autographed and illustrated for me by Jeff Buckley, Matt Johnson, Michael Tighe and Mick Grøndahl after their concert at Manchester University on 3rd Sept 1994.

Jeff Buckley’s artistic preoccupations are crystallised in his doodle: Death, Love and Music.

I first saw the Jeff Buckley band’s set at Reading Festival 1994 after reading a few lines of recommendation in a festival preview. I hadn't worked myself very close to the stage for their show and so, while a crowd was around me, I wasn't getting crushed or pushed. The sun was blazing on the field, but we were in the cool and the shade of a big-top tent. Looking over at the stage the musicians were half hidden, highlighted occasionally by a coloured spotlight as they moved through and behind scaffold, rigging and speakers. Noise commences. One song in and I'm grinning at the sheer gorgeousness of the sound. Clarity, space, originality and power. "The band absolutely rocks! Oh, I can hear every word of the lyrics. This is so so cool!" And so there I was, lined up perfectly for the sucker punch. Delivered from the stage with precision and ferocity. I haven't been left snivelling and shivering in public by a song before, but the band’s performance of “Lover, You Should’ve Come Over” saw to that. Turns out, from accounts I've read recently, that my reaction to hearing this song for the first time is far from unique.

Back in Manchester, two days later, I went into our biggest record store to look for recordings. I couldn’t find anything in the racks so I asked one of the sales staff what was available to order. He consulted the till screen and asked me if I could wait while he checked. He disappeared through a door at the back of the shop. A few minutes later he came back not with an order form but with an LP that pictured a very beautiful man clutching a vintage microphone. I bought the LP.

I was excited to see the band was playing in Manchester later that same week. I bought two tickets and badgered a friend to come with me. On concert day I scootered into the city with the LP sleeve and a silver pen in my backpack. The venue is small and this time I was close enough to see the faces of the band. I tried to put names to what I was seeing and hearing. I saw Jeff swooping between goofball and angel, via Freddie Mercury, Robert Plant, Maria Callas. Jeff joked between songs with Satriani style trilling on his guitar and a “yes-we-can” expression on his face.

After the concert I waited with other fans, front of stage, to ask for autographs. The band emerged after the hall had cleared, finished packing their equipment, and came over to speak to us. Jeff signed my LP sleeve and sketched some figures in a thought bubble above his picture. He gave me a curious look as I said, “Oh! You’re a lefty too!” I’d noticed, of course, that he used a pen left-handed and a guitar right-handed, “just like me”. Mick signed, sketched and quipped on Jeff being the (spitting) image of Sid Vicious in the back cover photograph. Michael picked up Mick's riff and added his own signature. Matt was still stashing his cymbals but let me interrupt and autographed the LP for me too. I packed up my things, waved goodbye to the band and their friends who were chatting at the side of the stage, and left the venue.
Academy 3 (Hop & Grape)
Press, 1994
Excerpt from Record Collector September 2015. Text: Phil Smith & Andrew Truth. Photo: Press Shot (Uncredited)

"One of the most revealing interviews of Jeff Buckley’s short life was conducted for a fanzine with a small readership. Phil Smith resurrects it here, with thanks to Andrew Truth for the interview and extensive contributions."

"In 1995, fanzine journalism was giving the established music press a run for its money. Andrew Truth had been producing Plane Truth since 1988 but issue 15 (circulation: 500) was to be his last. It had interviews with the usual unusual selection of bands, some fondly remembered and some largely forgotten.

Lurking at the back of the fanzine was an encounter with Jeff Buckley, son of Tim and on the way to becoming a legend in his own right. Andrew had conducted the interview on 3 September 1994, before Buckley’s show at what was then the Hop & Grape (now Manchester Academy 3). Buckley had only just released Grace and started touring with a full band, which Andrew remembers him enthusing about. The album was yet to slow-burn its way into the hearts of millions."
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Academy 1 (Manchester Academy)
Ticket, 1994
Story by DWho:

My favourite gig ever in 30ish years of going to see bands. Support act were a band called Soul Coughing and they were great. Violent Femmes opened with 'People Worry' followed by 'Blister in the Sun' which was a purely joyous experience. Hope they come back soon.