Join us in this insightful interview with Aniff Akinola as he shares his experiences in the heart of Manchester’s evolving music scene. Aniff talks about his early days in clubs like New Century Hall, where he first experienced the thrill of dancing to DJ Mike Shaft, and his time at Rafters, where he connected with DJ Colin Curtis and Hewan Clarke, shaping his passion for jazz, funk, and soul.
Aniff reflects on the challenges faced by black men in the nightlife of 1980s Manchester, with many clubs only allowing entry on weekdays. He describes how Manchester’s music scene was a melting pot of styles, from hip hop to electro and the emerging sounds of house, and shares his love for technology that fueled his creative journey.
In a turning point, Aniff’s band, Chapter and The Verse, was signed to Rham Records, leading to significant releases like “Grand Groove” and a collaboration with A Guy Called Gerald on the track “Voodoo Ray.” Aniff discusses how this track became a groundbreaking moment, with Gerald’s innovative sounds influencing future genres. He mentions Goldie’s time spent in Gerald’s studio, which laid the groundwork for the iconic Drum and Bass sound.
We dive into memories of The Hacienda, where DJ Hewan Clarke set the tone with an eclectic mix of music. Aniff recalls nights with massive visuals, state-of-the-art sound setup, and legendary performances, including the night Madonna took the stage. Aniff also highlights how The Hacienda played a role as a major employer for black people in central Manchester’s nightlife.
*** Aniff meant to say Flesh Night not Nude Night when he mentioned Paulette ***
From tales of early Acid House nights in Moss Side’s 8411 club to the influence of Berlin in Manchester’s club circuit, Aniff brings alive the rich tapestry of Manchester’s music scene. We close with his favorite Hacienda track, “Dirty Talk” by Klein & MBO, a tune that influenced New Order’s “Blue Monday.” Discover the untold stories and legacy of Manchester’s club culture with Aniff Akinola.
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